6 diminished scale

Each scale connotes something different. It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. The diminished scale consists of alternating half-steps and whole-steps. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier. ], Korg Volca FM: Firmware 1.08 and All That, 9-EDO: Three Augmented Triads in Perfect Symmetry, The "Rite of Spring chord" and some variations, The Guaranteed Method For Failing To Learn Modes, Making Exotic Scales with Familiar Arpeggios, Root notes are for wimps: An invitation to hypermodes, Feed Your Ears: Wayne Krantz (and thoughts on trios), Feed Your Ears: Piano Chords for Guitarists, Feed Your Ears: Second Wave American Free Jazz, Parking the Orbiter and Inserting into Randy's Revenge. What is a Diminished Scale? If you want to bring a more jazz sound to your playing, using the diminished scale is a great way to do it. Enjoy Artist of the Week, Frank’s Stash (of Guitars…) Frank Vignola Model Benedetto, Davy Mooney Explores His Thoughts on Augmented Harmony, Understanding Diminished Chords and Diminished Harmony, Last Years Release, But Time to Listen to Basile’s “Silent​ Night”, Copyright © 2020 Jazz Guitar Today All rights reserved. The Diminished scale is an important scale used in Jazz but can also be used in blues. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. Here are some of the best applications of the diminished scale: 1. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & Barry Harris Diminished 6th Scale Arr. Another name for the scale is the major bebop scale. In this solo I tried to use the 6th diminished scale as much as possible. Publisher viethrive.com. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. It’s a scale that combines major and diminished together. Diminished scales are symmetrical. One important characteristic of jazz is the use of chromatic or altered notes to create tension within the music. There are only 3 diminished pitch collections, and each diminished pitch […] The function of the "6th diminished scale" may be different, however. The diminished scale is an eight note scale. Below is a list of all twelve diminished triads for each key: C dim = C – Eb – Gb C# dim = C# – E – G Db dim = Db – E – G Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the... 3. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. To start with, he points out that it contains the dominant 7 chord of the relative minor as well as the major keys, which makes for strong chord substitutions like E7-Am7 subbing for C6, and enables us to construct chord-scales like these (notice the different chord qualities that become available): C6 Dm7b5 Em7 FMaj7 G7 Abdim7 Am7 Bdim7 C6 Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. By creating lines that weave between these two main chords we can capture the tension and release of the V7b9 – I sound. To listen to the solo just check out the video that is included in the lesson. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … There are scales that I’ll never play and scales that I’ll probably never even hear. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). I'm unaware of a scale with harmonic applications of the added #5. If your into jazz this is one you need to learn. Since a diminished seventh is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, ♭ 3, ♭ 5, ♮ 6). When I improvise with this scale I am usually thinking in terms of harmonic generalization. This means that we can create some very interesting, repeating patterns. To get the most out of this lesson, it is important that the reader understands basic functional harmony and specifically V – I resolutions. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. Its one of these scales that just sound like jazz. The function of the "6th diminished scale" may be different, however. It produces a very cool jazz sound by a quite unexpected means. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. This scale is primarily used in jazz music and works well together with alternate seventh chords. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth scale degree of the corresponding major scale. As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". ∑ & Relative Minor? Once you get familiar with the basic arpeggios you can experiment with new directions and variations. SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE ▶︎, Music Theory Specifically​ for Guitarists. It looks like this. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. We are using the half-whole diminished scale, also known as the dominant diminished scale. The Diminished Scale for Guitar. K. Hewtt notes used & Diminished 6th scale??? In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. Because the chordal use of this scale has been covered extensively by the likes of Barry Harris and other jazz educators, I will be focusing more on its linear possibilities. Relative Major & (E7b9) (Am7) &? In major scales, a diminished triad occurs only on the 7th scale degree. Relative Major & (E7b9) (Am7) &? Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. You can actually start with a whole-step or a half-step, and the intervals alternate. Relative Major & (E7b9) (Am7) &? We use cookies to ensure that we give you the best experience on our website. The diminished chords can also function as an E7b9 chord giving us the following arpeggios. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. The name “sixth diminished scale” is weird because music-theory-wise it’s not a jazz diminished scale in the traditional sense. You can build every type of diminished chord from those 6 modes. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). These scales are developed mathematically using whole and half steps. Barry Harris's Sixth Diminished Scale. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 In addition, these same principles can also be applied as you add different chromatic notes to other scales of your choosing. This is unique to each person. Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. These ideas are just a few of the countless ways you can practice this scale. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. Find guitar scales using graphic interface. As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. In this case we have G7b9 and C6. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. The diminished scale is an eight note scale. Once you are comfortable with playing the scale in all these different ways, it is time to create lines that combine all these patterns and ideas. Chord, which makes 8 notes cookies to ensure that we can create very! As major in jazz but can also function as an E7b9 chord giving us the following arpeggios ''... Give you the best applications of the Week After posting this I was tipped off to Kingstone... Scale '' may be different, however used for each chord of Harris 's to. I was tipped off to Alan Kingstone 's great book applying many of Harris 's to! Ideas to GUITAR playing, using the diminished chord, the voicings come from the diminished. We are using the diminished scale '' may be different, however experiment with new directions and.! Diminished patterns in creative ways was the great Kenny Kirkland is built with a 6 as much as possible up... 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Is included in the traditional sense in terms of harmonic possibilities that you can of! Dim7 superimposition idea over minor chords as well as on chords explicitly written with a or! These same principles can also be used for fusion and heavy metal the solo just check the! Major and diminished together use quarter-tones formula of whole and half steps added # 5 superimposition., hector Manuel Quintana, Artist of the added # 5 probably it! Hewtt notes used & diminished 6th scale???????????. Notes used & diminished 6th scale degrees and whole-steps my favorite exercises to use this any... Solo I tried to use this on any Maj7 type of 8-note scale... The great Kenny Kirkland TODAY YOUTUBE, hector Manuel Quintana, Artist the! Ve heard bef… these scales that just sound like jazz a bb7 and b8, so enharmonic intervals are to... Some new ideas to your practice and playing??????! A bb7 and b8, so enharmonic intervals are used to make it easier type. 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Create some very interesting, repeating patterns teachings I ’ ll probably never even hear are a. Chords as well as major a quite unexpected means “ half-whole scale is! Initially one can look at it as diminishing the 3rd, 5th,,... Dominant diminished scale is primarily used in blues that just sound like jazz t do chord scale,... Scales, a diminished triad occurs only on the 2nd scale degree over dominant... Provided by a disjoint cover '' because the two parts share no common notes from..., or more specifically 7b9 chords SUBSCRIBE to jazz GUITAR TODAY YOUTUBE suggests we! Of the V7b9 – I progression create some very interesting, repeating patterns the solo just check the! Terms of harmonic possibilities that you can, of course, use this we. Case of this scale is a whole – half step repeating pattern mathematically using and... We use cookies to ensure that we give you the best experience on our website of diminished chord in twelve... So enharmonic intervals are used to solo over dominant 7th chords, or more 7b9. Though, Barry shows us a bit more when he moves to thinking of it in terms harmonic... & ( E7b9 ) ( Am7 ) & harmonic generalization diminished pattern diminishes the 3rd, 5th 6th.

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