Half-Whole Diminished Scale (Starts at 4:12) Next up, we've got the half-whole diminished scale (or H/W diminished for short)! Even more so if you take into account cultures that use quarter-tones. Here is a diminished scale starting on a Bb and beginning with a half tone. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] Before print or download please save it first. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. How to practise a diminished scale. It contains the intervals 1,b2,b3,3,#4,5,6,b7. AWESOME CONTENT! YOU'RE AWESOME! As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale. It's played over altered dominant chords and has tensions b9, #9 & #11. Write a comment. As you can see, the formula for the scale is W-H-W-H-W-H-W. Notice that since this scale is symmetrical, and it is the same every minor third. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. The half-whole diminished scale is an 8 note symmetrical scale. It is more commonly known as the Locrian ♮2 scale,[1] a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). Whole-Half Diminished Scale. There are scales that I’ll never play and scales that I’ll probably never even hear. Learn about the Whole Half Diminished Scale on Guitar FREE eGuide! THE ROOT NOTE IN RED AS OPPOSED TO NUMBERS ALLOWS US TO TRANSPOSE ANYWHERE. There are two diminished scales called the half-whole and whole-half. highest pitch string at the top (unless you've tuned your instrument differently.) The half diminished scale is a seven-note musical scale. Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). Home > Symmetric Scales > Whole-Half Diminished Scale. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. The notes in-between act as leading tones to the chord tones. The “half/whole diminished scale” works over a dominant seventh with a flat nine and/or sharp nine chord. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). In the case of this scale, a 1/2 step interval followed by a whole step interval. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. The whole-half diminished scale is commonly used in conjunction with diminished harmony (e.g., the E dim7 chord) while the half-whole scale is used in dominant harmony (e.g., with an F ♭9 chord). Unlike other scales which contain seven notes, these scales contain eight notes. Like its brother, the fully diminished scale, the dominant diminished scale is octatonic in nature, and exists only in a few forms. However, it is difficult to remember the appropriate applications for the scale. If you made any changes to your settings. It's played over altered dominant chords and has tensions b9, #9 & #11. Symmetrical Diminished Scale. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. While, the Whole-Half Diminished Scale is used over a diminished chord. There are, however, multiple applications for these scales. The half/whole diminished scale is what we call a symmetrical scale, meaning it is based on a repeating pattern of specific intervals. Because of its interval construction, this scale is also referred to as the half-whole diminished scale. THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. The half/whole diminished scale. Diminished Half Whole: Essential Info. It contains the intervals 1,b2,b3,3,#4,5,6,b7. KEEP IT METAL! The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. Diminished Half Whole: Essential Info The Diminished Scale is a symmetrical scale and alternates between a semitone and a tone. D Half-Whole Diminished Scale. Whole-Half Diminished Scale Diminished Scale Diminished Whole-Half … The dominant diminished scale is a symmetrical scale: there is a symmetry to the interval construction of the scale (alternating half steps and whole steps). Start by learning the intervals fo… Each scale connotes something different. In summary, the whole tone, half-whole diminished and altered scales are simply some different options you have available to you when you're soloing over an V7 chord. Show me chords that sound good with a D Diminished Whole Half scale. The “whole/half diminished scale” works over a fully diminished seventh chord. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. Half/Whole Diminished Scale Starting on Bb. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. Whole-half is a useful name as it spells out the construction of intervals; start from any root note and go up a whole tone, then a semitone, then a whole tone and a semitone. Symmetrical Diminished Scale. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. In the video I’ve used the example of a Bb7 chord. If you look at the scale, every other note is a part of the chord. The scale is sometimes called whole-half scale, or octatonic scale. A summary, THREE OCTAVE THREE NOTE PER STRING MINOR BLUES SCALES. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. The underlined notes are the chord tones of the scale and the additional notes are almost like passing notes. Now, the primary use of the diminished scale, is on dominant chords with possible extensions The Diminished Scale is also referred to as the Whole-half Diminished Scale since it is constructed by every second whole and half steps (notice also that it is a symmetrical scale). [citation needed], https://en.wikipedia.org/w/index.php?title=Half_diminished_scale&oldid=936350678, Articles with unsourced statements from July 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 January 2020, at 07:40. * The second example to the right identifies the dominant chords most … However, it is difficult to remember the appropriate applications for the scale. The half-step and whole-step intervals are identified in the first example shown to the right. It's known as a Half Whole when played over Dominant chords. It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. Those are the three whole-half diminished scales. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. FREE RESOURCES FOR SEVEN STRING GUITAR- Everything, FREE RESOURCES FOR EIGHT STRING GUITAR- Everything, THREE NOTE PER STRING MINOR BLUES SCALES. 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