The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. Check it out: Share with your And like the augmented chords, every other note builds the same chords (I’m skipping the maj ♭5): D:D7♭5, D9b5, D9♭5♭13 Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. As we’ve seen, the half steps are the semitones and the whole steps are the whole tones. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. Use 7#5 and 7♭5 chords when you want a different sound than your standard dominant 7th chords. Before print or download please save it first. Donations will allow me to pay my bills and provide you with great content. #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. I used some of his licks and made some tweaks of my own. The altered scale. Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You Notice the first half of the scale is diminished and the second half is whole-tone. Grateful Dead: Till the Morning Comes For this reason, the whole-tone scale is also maximally even and may be considered a generated collection. Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. C7♭5 = G♭7♭5. Here, Guitar If you need help in reading the diagrams on this page, check the How to read 9#5 = augmented 9th = 1–3–#5–♭7–9. Here is a chart of the symbols on my chord blocks: Here are 12 closed augmented 7th chord voicings and 6 open E chord shapes. All 3 augmented chords normally resolve to a perfect fifth (P5) below – so acting like a V chord. G♭ (or F#): G♭+, G♭7#5, G♭9#5 You can build an augmented triad, an augmented 7th chord, and an augmented 9th chord from the scale. The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. music for Try arpeggiating an augmented triad on the last V7 chord in a blues turnaround. Here's the Secret: Whenever there are Augmented Chords put in the music arrangement, we can readily play part of the whole tone scale into the chord. So you can build a Fmaj♭5 and Fmaj7♭5 chord. Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. Apps, How to read Tones and Semitones in a Minor Scale Most people think of using the whole tone scale for augmented chords, but you can build 7♭5 chords from the whole tone scale as well. We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. All open chords for every chord type in every key. All PayPal contributions are greatly appreciated! I like all 3 E7#5 shapes, but none of the 9#5 shapes. that will help you learn how to move freely on the neck and play any chord you want in any Play the whole tone scale over this progression, and then try to improvise over it. 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